True Nature

In the process of starting this blog post yesterday, my computer was running sooooo slowly that I decided to move some pictures off of it and onto another drive to free up some room on this computer.  Maybe then it would run faster. Well, it did run faster, but not by that much.  Turns out it was the modem and router making it run slow.  OR… I won’t go there.

Anyhow, when I came back to this post to add pictures, I started to download a picture for Joan’s quilt, only to realize that they were gone!  Kapoof!  Nowhere to be found.  So, my apologies.  I scrounged up what I’d sent to Joan in an email and one on my phone of a strategy I’d used, but that’s it for today.  I had so much I wanted to share with you.  🙁

First, let’s start with the quilt pattern, the fabric and where you can buy the kit, etc.: It is designed by McKenna Ryan and is called True Nature.  Here is where you can find True Nature by McKenna Ryan.  It shows the whole quilt put together and each of the individual blocks.  Unfortunately, the site will not let me copy and paste their pictures into this post as they are copyrighted.

This first picture shows the upper left block.  Joan used wool batting on this quilt, and you can really see the quilting with this batting.  Wool batting is used on many show quilts because, not only does it show off the quilting, but it also doesn’t hold wrinkles or folds like other battings do.  In fact, many quilters will use 2 layers of batting for show quilts; either a cotton or poly blend with wool on top.

Don’t get me wrong; I LOVE wool batting!  In fact, I used it along with a poly blend on a quilt that won first place in a national show.  It’s been a long time, though, since I’ve played with it, though, and I had to remember HOW to play with it.  You have to decide what you want to show off and accent and what you want to recede into the background.  The moose and the tree background block is a good example.  The tree background with the bluish color at the bottom is one piece of fabric designed by McKenna Ryan.  Other colors of blue were appliqued on top to accent the water and create the moose’ shadow.  When I first started outlining the trees, I didn’t want too much stitching.  I wanted the trees to have depth. But, by not stitching down a lot of the trees, the result was poofs in places where it looked “off” and lost the depth of the many trees. So, I added a lot more stitching around the trees.

Same thing with the water spray foam at the bottom of the waterfalls.  I purposely left the foam parts as one long piece.  I was afraid if I’d stitched it down where each applique piece ended, it would look like a cloud more than the foam of water spray.  Also, when stitching the bears, I thought about where the body parts would stick out and where they would be indented, and that is where I stitched.

Finally, this is the picture I’d had on my phone.  I learned a lesson from Joan’s giraffe quilt and bought 100 colored pencils.  Pencils, because you can erase the marks, and colored because from now on out, I will be trying to match the color of the pencil to the fabric behind where I will be stitching through the paper.  Sometimes I’ll draw a design out on paper and stitch through it instead of marking on a customer’s quilt.  When I stitch through paper, though, sometimes the pencil will leave a mark on the fabric where I stitched.  So, I’m trying something new.  Besides, who doesn’t NEED 100 colored pencils?

For the bottom border, I had traced some of the other fish and was auditioning where to place them and how many fish to add to the school of fish already appliqued onto the quilt.  I decided 2 more would be enough.  Otherwise, it would have looked like a giant fish was attacking the bear standing next to the tree on the side border.  It needed to kind of fall off and blend a little better.

 

My apologies for not having the pictures to share with you regarding Joan’s quilt.  There was so much that I learned and wanted to share with you.  I know those pictures will turn up somewhere on that other drive.  I just have to figure out where I put them.  Well, I HOPE they will be there and I will find them.  :\

Author: cowtownquilts

Professional longarm quilter and thread artist in the Kansas City area.