One of the things I am doing when I don’t have customer quilts to work on is quilting charity quilts. This particular quilt was perfect for using a pantograph because it had no borders and no regimented block placement. I don’t normally like using pantos (pantographs), because it’s not as easy for me to follow a line from a paper and then hope it turns out okay on the quilt itself as it is for me to be able to watch where my next quilting stitch will go (whether it is free hand or drawn on there with a disappearing marker). At least if I’m watching where I will be going next, I can quickly fix a mistake. Pantos aren’t as easy as they are cracked up to be, BUT they are great practice for mastering your machine and the pantograph itself. You will be building muscle memory for when you want to do those swirls and curls and feathers, etc. either on your own or with another pantograph.
I enjoyed this particular design once I got started.
These 2 quilts were very similar, and I was given enough backing for both of them to load as one piece (well, it was pieced but was loaded as one piece), so I put the backing on the frame and then loaded my first quilt, quilted it, and then loaded the 2nd quilt and quilted it with the 1st one already done and rolled up on the frame ahead of it.
This one was harder for me to follow. I don’t know if it was because the patterns are so “definite” so a mess-up would be more noticeable or what… Perhaps it is because there is a lot of open space? Or???
The other thing that was happening while I was quilting this particular pattern was my machine was getting hung up on something. I never did find out what it was getting caught on. I would stop each time and check all over, around, and under but with no luck of finding what it was… a loose thread, bumpy seam, cord, etc. Thank goodness I wasn’t getting paid to do this!